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Monday, January 2, 2012

STAY Taipei

Last year's most anticipated restaurant opening in Taipei was STAY, an acronym for Simple Table Alléno Yannick. News about the restaurant emerged earlier last year and a formal press conference was held in May to announce the opening. The reason for the enthusiasm is obviously Yannick Alléno, the second three-Michelin-star chef after Joël Robuchon to open a restaurant in Taipei.

Alléno is one of the most ambitious young French chefs (born 1968). Not only does he run the three-star restaurant at Le Meurice, he is also responsible for the two-star restaurant Le 1947 at Cheval Blanc. In 2008, he established Groupe Yannick Alléno and began to expand on a global scale. In addition to the aforementioned Michelin-star restaurants, or Grand Tables as labeled by Alléno, there are now a total of four Simple Tables (STAY), including the one in Taipei. Besides the restaurants, Alléno also runs Sweet Tea, a tea salon. Furthermore, he publishes the eponymous magazine YAM or Yannick Alléno Magazine, which is intended for chefs. Needless to say, with Alléno's accomplishments and reputation, the expectations for STAY Taipei are high.  

STAY is located on one corner of the fourth floor in the shopping mall at Taipei 101, adjacent to the Bulgari boutique. Getting to the restaurant essentially entails going through the mall. The restaurant is open to the mall without doors and some of the seats in the restaurant actually can look out at people going up and down the escalators.


The restaurant seats 90 people plus three private dining rooms. Unlike STAY Dubai and STAY Beijing, where the decor is more luxurious in appearance, STAY Taipei is relatively simple and muted, but not in a good way. Compared to its other sister restaurants, the tables at Taipei are spaced closer together. The main dining room is a relatively high-ceiling but window-less rectangular space. There doesn't seem to be an overall theme to the design. For instance, the walls on the four sides are completely different. On the entrance side there are the vertical white fins that act as a screen. Opposite to this is a gridded wall of geometric tree branches above the banquette. One of the short sides of this rectangular space consists of different fragments of picture frames in light-colored wood stuck on dark-mirrored glass in some inexplicable pattern. The other short side is perhaps the pièce de résistance of the room: glass jars of pastries sitting on a marble countertop and behind it a beautiful glass closet with illuminated shelves holding more pastries. While there are aspects of the design of the restaurant that are quite nice, the various parts don't seem to come together in coherent manner.

The restaurant opened to the public in early November. My wife, Maria, and I booked a table for two for dinner in late December. After we settled down at one end of the banquette, the two of us were handed only one set of menu: one sheet for à la carte and the other for the various sets. Since we were not familiar with the menu, the two of us kept passing the menu back and forth to study what was offered. Frankly, it was extremely annoying to share a menu.

We decided to order à la carte. Maria started with the Fregola Sarda Pasta followed by the "Café de Paris" beef. I had the Duck Foie Gras, followed by the Parmentier Soup, and then the Poached Mahi Mahi. The prices for the dishes in Taipei are a little cheaper than their counterparts in Dubai. For instance, the Fregola Pasta costs Dhs$60 (around NT$495) in Dubai and NT$460 in Taipei. The Foie Gras is priced at Dhs$120 (around NT$990) in Dubai and NT$880 in Taipei.

The server first brought over a square box of bread: two each for three kinds. The bread is supplied by Lalos, which has a store at the basement of the Taipei 101 Mall. All three kinds of bread were very good. In fact we finished them relatively quickly, however, seeing the empty box the server did not ask if we wanted more.

We were asked if we wanted some wine. We said yes, and was handed the wine list and told the sommelier would come over to help us. The wine list is on a single sheet of paper and consists only of full bottles and some magnums. Since the two of us don't drink too much, we asked the sommelier to recommended some wines by the glass. We told the young sommelier the dishes we ordered and he picked out a couple of nice red wines for us.

The meal started with a trio of amuse bouches, which were all in round shapes with one being half an egg; the three bites were all delicious. Maria's pasta was shaped in a disc-form and dusted with parmesan cheese and botarga. The fregola was cooked well, however the dish was a little under seasoned. My foie gras came in a disc-shape as well. Just to emphasize the circular form even more, the toasted brioche that accompanied the foie, as well as the salt and pepper on the plate were all in round forms. It is safe to assume that the circle must be Alléno's favorite shape. However, the fascination with the round form doesn't really extend to the design of the restaurant except for the light fixtures. The foie gras was beautifully presented with a layer of passion fruit jelly on top and sprinkles of gold leaves. I thoroughly enjoyed the dish and it was clear the Michelin-starred chef worked a little magic into it. My parmentier soup was poured table side and it was also delicious.

When the server brought our main courses, she got our dishes switched around and served me the steak instead of the fish. This was not a big deal, but it was another one of the many little things that annoyed us; there were more to follow. Maria's steak au poivre came sliced and was cooked to the right temperature. The sauce was very good and so were the french fries served on the side. My mahi mahi à la Dugléré was also cooked well, but the whole dish, including the round shaped potatoes were a little under seasoned. The flavors didn't quite come through. Half way through our main courses, our server came to ask how we liked the food. We replied the fish and the pasta earlier were both under seasoned. Instead of just acknowledging our comments, the server said the two dishes were meant to be light. I didn't want to get into an argument with the server but I had to repeat to her that the fish was under seasoned and I already helped myself with the white Peugeot salt mill on the table.

After the main courses (Café de Paris versus Café Anglais), our server asked if we wanted to take a break before she showed us the pastry library. We said yes as we were quite full. While we waited she brought a couple of  mini-pastries, pre-desserts I suppose; both of them, the lemon tart and the cream puff, were delicious. The small lemon tart had a good crust and a tasty filling. Shortly after another server brought over some mini-madeleines that were served on sticks. They were okay but I would have preferred the mini madeleines be served warm like at Daniel Boululd's restaurants. As we waited for our server to take us to the pastry library, she told us there would be another surprise, which turned out to be a Gateau St. Honoré. This was a very nice little gift from the restaurant and it came with a little candle and a chocolate disc with the message, "Happy Birthday". Our server even told us to make a wish. The problem was it was not anyone's birthday but our wedding anniversary, which I informed the restaurant when I made the reservation via email. Again, not a big deal but it just added to the annoyance. After our server laid down the cake on the table she said she would bring over two plates for us. The plates never came and after waiting for a while, we just ate the cake. The vanilla cream, the choux pastry, and the puff pastry base were all delicious. The cake was also beautifully constructed. After we finished the St. Honoré, we waited to be taken to see the pastry library. However, a tour was never offered. Since we were quite full, we didn't ask to see it either and simply ordered some coffees. The espressos (NT$180 plus service charge for a single shot) were quite good and they were served with a couple of nice cookies.

The dinner at STAY was pretty good but I expected more from Alléno. Given that Alléno is a three-Michelin star chef, a comparison with the other three-Michelin star chef's establishment in Taipei is inevitable. Whereas L'Atelier harbors aspirations to be a three-star restaurant (the Hong Kong branch received its third star last year), STAY seems to aim much lower and is less ambitious. At L'Atelier one can order tête de veau, ris de veau, cheese, steak tartare and many other items that are not necessarily popular with the local palette. While these items may not sell well, there is no dumbing down with the cuisine. At L'Atelier, around half of the seating is at the bar. While most people in Taipei prefer a table and private rooms, L'Atelier makes few concessions to the local preference. In fact Robuchon was quoted in the local press that he is confident the locals will eventually like the bar seating. There is an attitude of: this is what's good and even if you don't understand or like it now, you will, which I appreciate. STAY seems to decide to serve crowd pleasers or things that will go down easy: steak, lobster, grilled salmon, roast chicken...etc. While there is nothing wrong about catering to the local dining preferences, I do wish STAY will aim higher and push the boundary a bit.

The food at STAY should be much bolder. The steak au poivre that we had is probably the best peppered steak in Taipei. However, that is not saying much, especially for a chef as ambitious as Alléno. Overall most of the food at STAY simply doesn't excite nor dazzle. While I am not expecting STAY to serve dishes as complex as the ones served at Le Meurice, the restaurant in Taipei can do more. For instance, in the current issue of Alléno's own magazine, under the section of Simple Table, there is a recipe for Civet de Pigeon, Céleri Fondant aux Fins Lardons. The pigeon breast and legs are cooked sous vide at different temperatures and served on a bed of celery. One cannot help but wonder why a dish like that isn't on the menu, especially given the fact that Alléno is one of the early adopters of the sous vide technique. Moreover, even STAY in Beijing is fancier with the checker board of pureed ham and butter for the bread and a starter of sea urchin and caviar.

The lack of excitement also extends to the pastry library. While the St. Honoré that we had was excellent, it was just a pastry served on an empty plate, not unlike at a tea salon. We didn't get a chance to order the pastry ribbon, which was just as well, since we probably would have been disappointed with it. Half a meter of ribbon with 4 pastries would have cost NT$1,580 or NT$395 per pastry. This is almost double the price for a piece of pastry at Robuchon's Salon de Thé. Furthermore, by limiting the dessert course to simply pastries, Alléno essentially eliminated all the warm desserts in the French repertoire: soufflé, tarte tatin, crêpe, fondant au chocolat, roast fruit, pain perdu...etc. This is especially disappointing for the winter season. Frankly the pastry library is a bit too similar to what is served at Salon de Thé de Joël Robuchon or Pâtisserie Sadaharu Aoki, and I don't think it is enough for a restaurant.

Will I go back to STAY? Yes. STAY is a nice addition to the western dining scene in Taipei. While I don't really love the design of the restaurant, the seats and tables are comfortable and the ambiance is relaxed. In general the service is fine, though I would like to see them work out the kinks and be a bit more attentive. The food is also good and surely there is talent in the kitchen. I understand Alléno's concept for the Simple Table, however, simple doesn't have to be easy; simple should not be boring; and simple can be innovative and luxurious. I know Alléno can do more and I hope he will.

Wednesday, December 21, 2011

Miramar by Muji

Browsing the Muji website for some ideas for Christmas stocking stuffers I came across Taipei in a Box. I was surprised to find our project, Miramar 美麗華百樂園, was chosen as part of the collection of buildings that represents Taipei.
























Below is a picture of Miramar:

Sunday, December 11, 2011

Back from the Ball

I just came back from the Ivy Ball in Taipei. It was not an Ivy League only event nor was it a real ball. Nevertheless, I enjoyed hanging out with my fellow Princetonians.

Saturday, December 10, 2011

Dinner with Robuchon at Robuchon

Chef Joël Robuchon was back in Taipei again, and similar to last year, we made a reservation at L'Atelier de Joël Robuchon to meet him and to eat some of the new dishes that he was planning. Given it is the season for white truffle, Robuchon devised a few dishes that were topped with thin slices from a sizable piece. Needless to say, dinner with Robuchon at Robuchon was amazing.

The dinner was also fun as the restaurant was fully booked and there was palpable energy emanating from the kitchen crew and the wait staff. Chef Angelo Aglianò was busy manning the pass and being watched over the shoulder by Robuchon and Chef Eric Bouchenoire and Chef Philippe Braun. Since Antoine Hernandez, the chief sommelier of the Robuchon group, didn't come this time, Benoît Monier was quite busy pouring wines for the different diners. For the wait staff, it was all hands on deck as even the staff from the 3rd floor Salon was present.

Throughout the dinner service Robuchon also went around the restaurant and greeted every guest. When he came by our area of the counter, I asked him with my rudimentary French to sign two of his books that I owned: Simply French: Patricia Wells Presents the Cuisine of Joël Robuchon and The Complete Robuchon. He was happy and probably a bit surprised to see the old book that he did with Patricia Wells. I thought he was just going to quickly sign the books and hand them back to me. Instead he took a little time and wrote two different short messages for the two books. After he finished he asked the wait staff to take the books and keep the signed pages open to ensure the ink dried. Robuchon's attention to this little detail for the care of the guest made me realize why he is such a great and successful chef.

Below is one of the two books that he signed:





Thursday, November 24, 2011

Zoca Pizzeria Caffetteria

While I haven't tried every pizzeria in Taipei, I have eaten my share and resigned to the fact that one cannot get a decent pizza in the city. Some of the pizzerias just don't know how to make the dough, producing one that is crunchy instead of chewy. Others either don't have a hot enough oven or don't cook the pizza enough, resulting with a pizza that lacks a crisp and charred dough at the bottom and without a puffy crust (cornicione as the Italians call it). One would think pizza, flatbread with flavorful toppings, should not be so difficult, yet most of the pizzerias in Taipei cannot produce a decent one.

When my wife, Maria, asked me recently to go try another pizzeria, I was initially a bit reluctant. However, she assured me this one, Zoca Pizzeria, would be different and it turned out she was right.























Zoca Pizzeria is located at 臨江街149號 in the Da-an district of Taipei on the ground floor of a nondescript building. Up front there is a small terrace that allows for some semi-outdoor dining. As one walks inside the glass storefront, the first thing one sees is a counter and a display of house-made Italian pastries. Behind the counter is the work space of the pizzaiolo and one of the owners, Federico Zocatelli. Every time I go to the restaurant, Zocatelli is there in front of all the customers stretching the dough into shape, adding the sauce and the toppings, and baking the pizza in the oven next to his worktop. Above the opening to the oven hang two clocks, seven hours apart, one set to Taiwan time and other to Italy, Zocatelli's home country. The rest of the interior of the restaurant is very simple, light yellow painted wall and dark colored wooden chairs and tables. A few pictures of the chef's home town, Verona, seem to hang randomly on the walls. Decor is not the strength of the restaurant.

The main attraction is really the pizza, in fact the menu doesn't offer much else; there is a salad, a soup and a lasagna. There are over 40 different types of pizzas to choose from; some of the differences between the different pizzas are simply an additional ingredient or two. The pizza is usually served not too long after the order is placed. The pizza comes with toppings that are bubbling. The cornicione and the bottom of the crust are nicely charred. We typically order Margherita, Salamino, and Pugliese, all of which are very good. Occasionally we will order a Fagottino, more an open-face calzone than a pizza, which is also quite good. The only ones I tried that I don't like are the pizzas with mascarpone cheese. I prefer the more savory ones.

After the pizza, we always order some desserts, Tiramisu, Millefoglie, Sacher, Torta di Verona, all of which are made by Zocatelli. Sometimes, he even makes baba au ruhms. All the desserts are fairly good: not fancy, simple, and just sweet enough with good flavors. Together with the good espresso, our meals at Zoca always end on a happy note.

So what's not to like about Zoca? Since I am an architect, I wish the interior can be a bit more designed. Some acoustic treatment on the wall or the ceiling will help reduce the noise a bit. The other thing I don't like about Zoca is that there are simply too many choices for the pizzas. I am not sure this amount of variety is really necessary, considering a pizzeria like Da Michele in Naples only serve two types, and Motorino in New York City serves less than ten types.

While there are fancier pizzerias in Taipei, Zoca is the best place I have eaten so far. Until someone shows me a better place in the City, Zoca is where I like to go for pizza.

Monday, October 10, 2011

It Just Works

With Steve Jobs' passing, it seems everyone has something to say about him and Apple. Therefore, I will share one story as well. I bought an iPad when it first came out and it has become an indispensable device that I use everyday. This is no surprise since I've always liked Apple's products, starting from the Macintosh, especially for their design and ease of use. Steve Jobs once said, "This is what customers pay us for - to sweat all these details so it's easy and pleasant for them to use our computers. We're supposed to be really good at this."

What has surprised me is the iPad is so easy to use that even my two-year old daughter, Ava, can use it. I only have to show Ava a few times and she is able to learn to use the iPad to watch her cartoons. She knows to press the home button to turn on the screen; slide the tab from left to right; press the home button again to see the icons; swipe to find the Videos icon; tap and find the cartoons in preview forms; choose and tap the video; and hit the play tab. Now at three years old, she even knows how to adjust the volume from the screen and hit the small button on the top to turn the iPad off.

Below is a picture of Ava watching Elmo at a friend's wedding banquet in Hong Kong; the iPad allows the parents to eat in peace.























While I like to think of my daughter as really smart, the truth of the matter is the iPad, like many of the products by Apple, just works. It still amazes me that a two-year old can use the iPad by herself. This is really a testimony to Jobs' philosophy about design, as he once said, "Design is a funny word. Some people think design means how it looks. But of course, if you dig deeper, it's really how it works."

Saturday, October 1, 2011

Abu's Brasserie

My friends have accused me of only going to a handful of restaurants in Taipei and writing too much about L'Atelier de Joël Robuchon. Therefore, with a meeting in the late afternoon around Shing-Yi Road and Dun-Hwa Road, I decide to go to Abu's Brasserie nearby for dinner with my wife. This is my first time at a restaurant by Chef William Bu 布秋榮. Abu, as he is known, first opened a fancier place in 2009 (I have not been to yet) and then late last year opened the Brasserie, his second and cheaper restaurant.


The Brasserie is located in an alley off Shing-Yi Road. The exterior of the restaurant looks pretty good; I like the playful graphics of the signage. Unfortunately, the interior left much to be desired. The foyer is unnecessarily large for this small restaurants. A glass wine cellar is located to the right of the front door, which would have looked nice except boxes of wine are littered on the floor. Instead of an elegant display of wines it is more like an messy closet. We are seated just to the left of the foyer. The table is too narrow for comfort. The green bread plate took up more than a quarter of the width of the table. Next to our table is a Nuvola Rossa bookshelf by Vico Magistretti which acts as a space divider that is completely unnecessary as it makes the small room look and feel even smaller. The wall behind our table has a wood wainscot without a baseboard. A couple of art pieces are hung in a seemingly random fashion on the walls. The interior design just looks a bit haphazard.

The menu is essentially in three parts: chef menu, set menu, and à la carte. The chef menu seems to be too long, hence we choose to try the set menu as it seems to offer good value with six courses. Some of the courses in the menu have choices and the price of the set menu depends on the choice of the main course.

The restaurant starts us off with some foccacia bread and a strange white sauce. For my first course I order the pork terrine, which is a thin and small slice served on a large plate with a small salad. The plating is quite nice. The flavor of the terrine is satisfactory but the texture is too hard and too chewy. The terrine is also sliced too thinly and stingily. The second course is the mussels, which is quite good with a flavorful broth. The third course is a choice of a small soup and I have the porcini cappucino. I prefer a creamier soup, but it is acceptable. This is followed by the raviolo stuffed with chicken. The pasta is fine but the filling is just too dry; it was not a good dish. My main course is the braised beef cheeks. The meat is cooked well with good flavor. I only wish the sauce is further reduced as it is too thin and more like soup. The last course is the Dessert du Chef, which sounds grand, but is actually a small jar of panna cotta and a mini macaron served on a rectangular tray.  This is less like a dessert course and more like some mignardises. The panna cotta is a little bland and the macaron filling is too hard; both are made worse by the watery coffee. The meal ends in a very unsatisfying manner.

The pacing of the meal is inconsistent. The appetizers come very quickly yet there is a long wait for the main course. The service is also lacking at times, especially at the end of the meal. We wait for a long time for someone to deliver the check to our table. We become impatient and finally decide to just get up and pay at the cashier like we do at a New York diner.

Overall the experience at Abu's Brasserie is so-so. The pricing of the meal seems very reasonable. The cost of the menu I ordered is around NT$1300. Frankly it would have been fine to have one less course or pay a bit more for a real dessert. Will I go back? While I have issues with some of the dishes, the flavor profiles are okay and the restaurant is pleasant enough. So maybe I will go back, but not eagerly.

Wednesday, September 21, 2011

Instagram

Recently I downloaded the iPhone app Instagram and it is just a fun program to play with. With careful cropping and the use of filters provided, any photo can take on a dramatic new look. After the image is processed it can then be shared publicly. Through Instagram one can also browse photos from users all over the world.

I have used Instagram to rework some of the images I took a while back with my iPhone. Most of the images are of architecture and below is a sampling.


Beijing Airport by Foster and Partners


Staircase at the Qingdao Grand Theater by GMP


The Atrium at the Guggenheim Museum in New York City


The Sculpture Gallery at New Canaan by Philip Johnson

Sunday, September 11, 2011

9/11 Remembered

Today is the tenth anniversary of 9/11. The New York Times has a section asking readers where they were on that day and another section showing the things that people kept. Instead of posting my responses to the Times' website, I am sharing them here.

On 9/11 I was at 14 Wall Street.


I was working at Skidmore, Owings & Merrill. By the time I entered the building from Pine Street and rode the elevator up to the 23rd floor, the two airplanes had already hit the twin towers. At that time I didn't really know what happened. I watched the towers burn from a window on the 25th floor of our office. When the towers collapsed, our building shook as if there was an earthquake. Together with others we walked down the fire stairs and waited inside the Equinox gym on the ground floor. It was only then with the televisions above the treadmills that I learned what happened before I stepped into the office.

That day I stayed at the gym until around 4:30pm. I decided to leave when someone said there were buses to take people uptown on Broadway. When I stepped out of the building onto Wall Street, the sidewalk was completely covered in a thick layer of dust, like a sandbox in a playground. As I looked towards Broadway the sky was dark. I didn't think it was possible there would be any buses so instead I turned east and walked towards the East River. As I got closer to the river it was eerie to find a perfectly clear sky as if it was a normal day.

I ended up walking home like everyone else and what I kept are the pair of shoes that I wore on 9/11.